Iggy pop young professional#

“The friendship was basically that this guy salvaged me from certain professional and maybe personal annihilation - simple as that,” Pop wrote. When not recording his own trilogy of albums, Bowie worked with Pop on his solo debut, The Idiot, and follow-up, Lust For Life.

Three years later, Bowie and Pop moved to Berlin together with the hope of kicking drugs for good. There he teamed with James Williamson to pen what would become The Stooges’ crown opus, Raw Power, which was mixed by Bowie himself. In 1972, Bowie confronted Pop about his escalating drug addiction, encouraging him to move to London to work on music. One of Bowie’s closest acquaintances, Iggy Pop, recently penned an extremely heartfelt tribute for Rolling Stone. His hometown of Brixton staged a citywide singalong of “Starman”, while Austin renamed one of its street signs. Some even took to their instruments and covered his greatest works. Musicians young and old have penned emotional reflections of The Thin White Duke.

“The main thing we learnt from The Magic Gang is that they have the same kind of connection with each other that we have.David Bowie’s historical impact can be felt in the countless number of tributes to surface in the days since his death. They’re not the first band to have a constant desire rip it up and start again, but they’ve had some key moments that they want to cherish, like supporting The Magic Gang on a recent tour, were they were in awe of the professionalism and approachability of a band much bigger than theirs later this spring, they’ll be joining Everything Everything at their upcoming dates. Kane has recently moved on to softer pastures – the artwork for the band’s ‘Drive In Mind’, which features Kane hiding behind a large flower, indicates that already. Visual art became a strong influence, too primarily New York legend Jean-Michel Basquiat’s scratchy aesthetic and British don Francis Bacon’s “horrifying” concoctions, which Kane says matched the lyrics at the time. A kinship with Louis Bullock (drummer) was formed, with Ezra Glennon (bass) and Dan Richardson (guitar) following suit, the band taking on varying influences of rock, pop, electronica and funk and blending together. It gets hard to know when something is finished, because there’s always something that can be added to it but you end up running around in circles.”Īt school, Kane struggled to find a tribe to let into his world, one where he was obsessed with “band culture” and groups like The Smiths and The Stones Roses, whose lemon-branded merch he sports during our chat. “I always get nagged to just send what I’m working on, but I always think it has to be perfect even before I send it. Their recorded work thus far is hard to pin down – ‘Drive In Mind’s fizzing alt-rock, new track ‘Get Close’s saccharine tones – and it comes as little surprise that Kane spends much of his time obsessing over the demos in his bedroom, fiddling with chord progressions, and searching for perfect lyrics. Since then, the band have been trudging their A-Levels and managed just a handful of gigs, instead focusing on putting together last year’s ‘Have It Your Way’ EP and its breakout single ‘Drive In Mind’. Things to celebrate for the four-piece have been few and far between, having only just started playing gigs and hitting their stride when the pandemic began. The band are, in fact, all 17-years-old, and sprinting towards the final leg of their school studies. “He did think we were only 13 though, which is the only downside.” As if to hammer home the point, Kane does an impression of Iggy’s sleazy drawl ( “L’oooobjectifff”) and has a chuckle to himself. That was back in October, when the Stooge played the band’s track ‘Have It Your Way’ on his Iggy Confidential radio show. “Hearing Iggy say our name on BBC 6 Music was probably the highlight of our career thus far,” frontman Saul Kane tells NME on Zoom from his home in Leeds. For L’objectif, the latter is arguably the teammate they’d want on their side: someone a bit gnarlier and with the same joie de vivre as these young guns. The former has become a champion for rising acts (namely Wet Leg and Yard Act) by supporting their work and bringing their names into mainstream spaces and audiences. If you’re a new band or an emerging artist trying to make a name for yourself, there are two rock’n’roll godfathers you want on your side: Elton John and Iggy Pop.

Iggy pop young